Half the sketch is a single locked-off extreme wide shot of a bleached, dusty cemetery hillside where a black estate-car hearse is parked and tiny figures move around it. The camera then cuts in close: a group of five mourners in black walks back down through the dry grass, a weeping woman in a patterned headscarf covers her face beside a boy in a cap, and the hearse driver sits sideways in his open door talking to them at the car.